The Indonesian Legend Writer History collections part N Nasjah Djamin

THIS IS THE SAMPLE OF INDONESIAN LEGEND WRITTERS HISTORY COLLECTIONS,THE COMPLETE CD EXIST WITH FULL ILLUSTRATIONS BUT ONLY FOR PREMIUM MEMBER. LOOK THE PART N OF NASJAH DJAMIN

Dr Iwan  Book Cybermuseum

The Indonesian legend Writer history Collections

Part N

NASJAH DJAMIN

Koleksi Sejarah Penulis legendaris  Indonesia

Bab N

 NASJAH DJAMIN

 Based on

Dr Iwan Rare Old  and Vintage Books Collections             

 Created By

               

     Dr Iwan Suwandy,MHA

    Limited Private Publication In CD-ROM

   special for premium member

_______________________________________________________________________________

 hhtp://www.Driwancybermuseum.wordpress.com copyright @ Dr iwan Suwandy 2012

INTRODUCTIONS

I have just find  a vintage magazine  Budaya 23,Year IX,Pebruary March 1960 ,in this rare magazine I find an informations of  Indonesia Legend Writer

 

 

  NASJAH DJAMIN ‘s Drama”Black Spots” or “Titik Titik hitam”

written by  B.SRI OEMARJATI

Nasjah Djamin who have artistic talent. Djamin Nasjah artistic talent that appears first is the talent to paint.

He Created many books which famous one .Hang Tuah,Titik Titik Hitam(black spots) angd poem Refugee etc

This was the part of the amizing and rare e-book about indonesian legend writers, I hope this informations will add the informations of Indonesian legend writers

 Jakarta May 2012

Dr Iwan Suwandy,MHA

 

READ MORE INFO RELATED TO NAJAH DJAMIN

Nasjah Djamin was born on September 24, 1924 in Perbaungan, North Sumatra. He was the seventh of eight children. Nasjah Noeralamsyah Djamin have real names.

Both his parents came from Minangkabau, Padang. His father and his mother named Haji Djamin named Siti Here. Parents do not have blood Nasjah Djamin art. Among the brothers Nasjah Djamin, Nasjah Djamin who have artistic talent. Djamin Nasjah artistic talent that appears first is the talent to paint.

Parents Nasjah Djamin is low employee. However, it did not make Nasjah Djamin to remain silent. He successfully completed his school (Hollandas inlandse School). He also managed to attend school junior in 1941.

After coming out of junior, Nasjah Djamin decided to work. He started working as porters at the airport Polonia rough, Medan.

With the provision of intelligence to paint, then worked in the office Nasjah Djamin Bukaka, Japanese propaganda office. In addition to work, where it works, Nasjah Djamin also learn to paint.

 
In 1947

 Nasjah Djamin in Jakarta join the artists at Jalan Garuda, led by Mr. Said. The painter who attended the Basuki Rosobowo Affandi and, while the present writer is Anwar, HB Jassin, Rivai Apin, and Sitor Situmorang. In that place, then Nasjah Djamin acquainted with the writers and became interested in writing.

In 1949

 Nasjah Djamin worked as an illustrator in Hall Book. In the office Nasjah antarpengarang Djamin often hear discussions, such as K. and Anwar. Circumstances that make Nasjah interested in the literary.

This was evidenced by the creation of posts during his work at the Central Library, as his poem “Refugee”. H.B. Jassin load it into the poem echoes the country.

 Another work that is created is a picture story for children, the Hang Tuah (1952) and Si Pai Bengal (1952), and has been published by the Central Library.

After stopping work at the Central Library, Nasjah Djamin back to Yogyakarta.

 In 1952

worked as a clerk Nasjah Djamin lower in Arts Section, Bureau of Culture, Ministry of Education and Culture, New York.

 He worked in the fine arts. In addition, he also became a member of the editor of the magazine Culture (1953). The work he wrote while working at the magazine, among others, “Black Spots” (1956), “a bit of singing Sunda” (1957), and “Bridge Gondolayu” (1957). Three of the drama. The title of the play “a bit of Sunda Song” won second prize writing contest held by the drama of Education and Culture Ministry in 1956.

In 1953

Nasjah Djamin together with Kirjomulyo founded Theatre Indonesia.

 In 1961-1964,

 the cost of the office where he works, Nasjah Djamin sent to Japan to deepen the stage decor, decorating TV, manufacture TV story, and performances.

WORKS:
Nasjah Djamin started writing novels in 1950. The resulting first novel is Gone The Prodigal Son. This work has been translated by Farida Soemargono Labrousse into French under the title Le Depart de L ‘Enfant Proddigue (1979).

Place of writing in addition to the magazine Culture, Nasjah do it in magazines and newspapers Sunday Morning People’s Sovereignty.

 One of his novels Passion for Life and for Death which is serialized in a magazine 1-24 numbers Sunday morning in 1967 succeeded in obtaining Arts Award from the Government of the Republic of Indonesia in 1970.

Another boon received Nasjah derived from the work of the Foundation Main Book Parangtritis Waves (1983) which declared the best teenage fiction books of 1983 and the Jakarta Arts Council literary prize for his novel, Mount Hope (1984).

Works:

a. Novel

A. The Children Gone Missing (1963)
2. Strands-Strands Sakura Fall (1965)
3. Passion for Life and to Death (1968)
4. Kuala Lumpur Night (1968)


5. Found a Way (1979)
6. And Twilight was Down (1981)
7. Parangtritis Waves (1983)
8. Top Tresna Tresna (1983)
9. Mount of Hope (1984)


10. Three Cigarette Butt (1985)
11. Waves and Sand (1988)

b. A collection of Short Stories

A. Singing a bit of Sunda (1962)
2. A Marriage (1974)
3. Sudirman Feet Under (1986)

c. Novella

A. “In a Cabin” (in the Sarinah magazine, 1987)
2. Anwar biography titled Final Days of The Poet (1982)
3. Affandi in his biography of painter Affandi (1977)

d. Poetry

A. “Weight” (the artist magazine, 1947)
2. “Flowers” and “Refugee” (the artist magazine, 1948)
3. “Yati Small” (the magazine Culture, 1954)

E,PAINTING

1. WORKING POWER

 

2.TO GET THE DREAM

 

3.PANEN

 

4.RICE FIELD

 5.RICE FIELD

 6.LANDSCAPE

 7.SHADOW

 AUTHOR Nasjah Djamin

 

Born in Perbaungan, North Sumatra, December 24, 1924. Seventh child of eight children. Both his parents came from Minangkabau, Padang, West Sumatra. His father and his mother named Haji Djamin named Siti Here. His father worked as a paramedic opium and salt in the Deli. He and his parents lived on the plantation in Deli. In Among his brothers, only the he which have the talent of art. His artistic talent was first grown is painting. He loved to paint the scenery around the farm as well as carts and coachman.

 

Although his parents worked as an employee only low, however, it did not make it to silence. He successfully completed his school (HollandasInlandseSchool). He also managed to attend school junior in 1941, but did not graduate. After coming out of junior, he decided to work. Initially working as porters at the airport roughly Polonia, Medan. With the provision of intelligence to paint, he then worked in the office Bukaka, a Japanese propaganda office.

 

One of the founders of Fine Arts in Field Force (1945) is then joined the studio senimanIndonesia mudaYogyakarta (under the care of S. Sudjojono, Afandi and Soedarso, 1947-1948). Through his acquaintance with the literary artist who often gathered together the painters in the way of Garuda, he finally gradually became interested in writing activities.

 

Year 1949 worked in Balai Pustaka as a illustrator. In Balai Pustaka he often heard the discussions inter-the author, such as the Idrus and Chairil Anwar. Circumstances that make Nasjah increasingly attracted him to literature. Thing it then demonstrated by the writings that that creates during he worked in Balai Pustaka, such as, his poems who titled Refugees. Other works who were created is the story pictorial for children-children, Hang Tuah (1952) and Si Pai Bengal (1952), which then published by the Balai Pustaka.

 

After stopping work at the Central Library, iakembali to Yogyakarta. In 1952, he worked as a an employee on Section Artistry, Bureau of Culture, the Department of Education and of Culture, Yogyakarta, worked in part fine arts. In addition, he also became editor of the magazine Culture (1955-1962). In these places the more active he writes. The work he wrote while working at the magazine, among others, Black Spots (1956), a bit of singing Sunda (1957), and Bridge Gondolayu (1957). Three of the drama. In addition to writing in the magazine Culture, he also wrote in the magazine Sunday morning news dansurat Sovereignty of the People.

 

Began writing novels in 1950. The resulting first novel is Gone The Prodigal Son. The work was later translated by Farida Soemargono Labrousse into French under the title Le Depart de L’Enfant Proddigue (1979). Another novel he has written are the strands of Sakura Fall (1964), Kuala Lumpur Night (1968), The Found Road (1981), and even Dusk Snow (1982), Top Tresna Tresna (1983), Three Cigarette Butt (1985 ), as well as Waves and Sand (1988).

 

The work of his short stories collected in three short-story collection, which is a bit Nynyian Sunda (1962), Under the Feet Sudirman (1967) and A Marriage (1974). While the work of poetry ever on terbitkannya include Weight (in Artist magazine, 1947), Interest and Refugees (the artist magazine, 1948), and Small Yati (in the Culture magazine, 1954).

 

On its active role in world literature, the founder of Theatre Indonesia was recorded won several awards, among others, his work a bit of drama title song Sunda (1958), won the third place play writing contest The Arts Department of P & K 1958 and also obtained the National Literature Prize 1957 BMKN / 1958. His novel Passion for Life and for Death of a disjunction in the magazine Sunday Morning 1-24 numbers in 1967 succeeded in obtaining Arts Award from the Government of the Republic of Indonesia in 1970. His novel, Mount Hope, Roman Writing Competition prize DKJ 1980. Another novel, Waves Parangtritis (1983) Main Book Foundation prize at the Department of P & K as the best teen fiction books in 1983.

 

Writer who ever deepen knowledge regarding the art and setting for the stage film and television in Tokyo, Japan, on year 1960-1963 this, writes is an encouragement inner. He never argues, creating though it is a necessity for a creation that is stored in a closet. The works he wrote a valuable contribution to the development of Indonesian literature. After marrying in 1967, Nasjah Djamin residence in Yogyakarta with his wife, Umm Naftiah and their children. Nasjah Djamin died in Yogyakarta on September 4, 1997, at the age of 73 years. His body was buried in Mount Saptorenggo, Imogiri, Yogyakarta.

 
 
 

original info

Nasjah Djamin dilahirkan pada tanggal 24 September 1924 di Perbaungan, Sumatra Utara. Ia anak ketujuh dari delapan bersaudara. Nasjah Djamin mempunyai nama asli Noeralamsyah. Kedua orang tuanya berasal dari Minangkabau, Padang. Ayahnya bernama Haji Djamin dan ibunya bernama Siti Sini. Orang tua Nasjah Djamin tidak mempunyai darah seni. Di antara saudara-saudara Nasjah Djamin, Nasjah Djamin saja yang mempunyai bakat seni. Bakat seni Nasjah Djamin yang muncul lebih dahulu adalah bakat melukis.

Orang tua Nasjah Djamin adalah pegawai rendah. Namun, hal itu tidak menjadikan Nasjah Djamin untuk berdiam diri. Ia berhasil menamatkan sekolah HIS (Hollandas Inlandse School). Ia juga berhasil melanjutkan sekolah Mulo tahun 1941. Setelah keluar dari Mulo, Nasjah Djamin memutuskan bekerja. Ia mengawali bekerja sebagai kuli kasar di lapangan terbang Pulonia, Medan. Dengan bekal kepandaian melukis, kemudian Nasjah Djamin bekerja di kantor Bukaka, kantor propaganda Jepang. Selain bekerja, di tempat bekerjanya itu, Nasjah Djamin juga belajar melukis.

 

Pada tahun 1947 Nasjah Djamin di Jakarta bergabung dengan para seniman di Jalan Garuda yang dipimpin oleh Pak Said. Kalangan pelukis yang hadir adalah Affandi dan Basuki Rosobowo, sedangkan kalangan sastrawan yang hadir adalah Chairil Anwar, H.B. Jassin, Rivai Apin, dan Sitor Situmorang. Di tempat itu, kemudian Nasjah Djamin berkenalan dengan para sastrawan dan mulai tertarik dalam tulis-menulis.

Pada tahun 1949 Nasjah Djamin bekerja di Balai Pustaka sebagai ilustrator. Di kantor itu Nasjah Djamin sering mendengar diskusi antarpengarang, seperti Idrus dan Chairil Anwar. Keadaan itu membuat Nasjah tertarik pada kesastraan. Hal itu dibuktikan dengan tulisan yang diciptakannya selama ia bekerja di Balai Pustaka, seperti puisinya yang berjudul “Pengungsi”. H.B. Jassin memuat puisi itu ke dalam Gema Tanah Air. Karya lain yang diciptakan adalah cerita bergambar bagi anak-anak, yaitu Hang Tuah (1952) dan Si Pai Bengal (1952), dan telah diterbitkan oleh Balai Pustaka.

Setelah berhenti bekerja di Balai Pustaka, Nasjah Djamin kembali ke Yogyakarta. Pada tahun 1952 Nasjah Djamin bekerja sebagai pegawai rendah pada Bagian Kesenian, Jawatan Kebudayaan, Departemen Pendidikan dan Kebudayaan, Yogyakarta. Ia bekerja di bagian seni rupa. Di samping itu, ia juga menjadi anggota redaksi majalah Budaya (1953). Karya yang ditulisnya selama bekerja di majalah itu, antara lain, “Titik-Titik Hitam” (1956), “Sekelumit Nyanyian Sunda” (1957), dan “Jembatan Gondolayu” (1957). Ketiganya merupakan drama. Judul drama “Sekelumit Nyanyian Sunda:” memenangkan juara kedua sayembara menulis drama yang diadakan oleh Departemen Pendidikan dan Kebudayaan tahun 1956. Pada tahun 1953 Nasjah Djamin bersama-sama dengan Kirjomulyo mendirikan Teater Indonesia. Pada tahun 1961—1964, atas biaya kantor tempat ia bekerja, Nasjah Djamin dikirim ke Jepang untuk memperdalam dekorasi panggung, dekorasi TV, pemroduksian TV cerita, dan pertunjukan.

KARYA:

Nasjah Djamin memulai menulis novel tahun 1950. Novel yang dihasilkan pertama adalah Hilanglah Si Anak Hilang. Karya itu telah diterjemahkan oleh Farida Soemargono Labrousse ke dalam bahasa Prancis dengan judul Le Depart de L”Enfant Proddigue (1979).
Tempat kegiatan menulis selain di majalah Budaya, Nasjah melakukannya di majalah Minggu Pagi dan surat kabar Kedaulatan Rakyat. Salah satu novelnya Gairah untuk Hidup dan untuk Mati yang merupakan cerita bersambung dalam majalah Minggu Pagi nomor 1—24 tahun 1967 berhasil memperoleh Anugerah Seni dari pemerintah Republik Indonesia pada tahun 1970.
Anugerah lain yang diterima Nasjah berasal dari Yayasan Buku Utama atas karya Ombak Parangtritis (1983) yang dinyatakan sebagai buku fiksi remaja terbaik tahun 1983 dan dari Dewan Kesenian Jakarta mendapatkan hadiah sastra atas novelnya Bukit Harapan (1984).

Karya:

a. Novel

1. Hilanglah Si Anak Hilang (1963)
2. Helai-Helai Sakura Gugur (1965)
3. Gairah untuk Hidup dan untuk Mati (1968)
4. Malam Kuala Lumpur (1968)
5. Yang Ketemu Jalan (1979)
6. Dan Senja pun Turun (1981)
7. Ombak Parangtritis (1983)
8. Tresna Atas Tresna (1983)
9. Bukit Harapan (1984)
10. Tiga Puntung Rokok (1985)
11. Ombak dan Pasir (1988)

b. Kumpulan Cerita Pendek

1. Sekelumit Nyanyian Sunda (1962)
2. Sebuah Perkawinan (1974)
3. Di Bawah Kaki Pak Dirman (1986)

c. Novelet

1. “Di Sebuah Pondokan” (dalam majalah Sarinah, 1987)
2. Biografi Chairil Anwar yang berjudul Hari-Hari Akhir Si Penyair (1982)
3. Biografi Affandi dalam bukunya Affandi Pelukis (1977)

d. Puisi

1. “Berat” (dalam majalah Seniman, 1947)
2. “Bunga” dan “Pengungsi” (dalam majalah Seniman, 1948)
3. “Yati Kecil” (dalam majalah Budaya, 1954)

e.Lukisan

1.semangat kerja

 

2.MENGAPAI MIMPI

 

3.PANEN

 

4.SAWAH

 5.MENANAM PADI

 6.PEMANDANGAN

 7.BAYANGAN

 

PENULIS NASJAH DJAMIN

 

Dilahirkan di Perbaungan, Sumatera Utara, 24 Desember 1924. Anak ketujuh dari delapan bersaudara. Kedua orang tuanya berasal dari Minangkabau, Padang, Sumatera Barat. Ayahnya bernama Haji Djamin dan ibunya bernama Siti Sini. Ayahnya bekerja sebagai mantri candu dan garam di Deli. Ia dan kedua orang tuanya tinggal di daerah perkebunan di daerah Deli. Di antara saudara-saudaranya, hanya ia yang mempunyai bakat seni. Bakat seninya yang pertama kali tumbuh adalah melukis. Ia senang sekali melukis pemandangan sekitar perkebunan serta pedati dan kusirnya.

 

Meski orang tuanya hanya berprofesi sebagai pegawai rendah, namun, hal itu tidak menjadikannya untuk berdiam diri. Ia berhasil menamatkan sekolah HIS (HollandasInlandseSchool). Ia juga berhasil melanjutkan sekolah Mulo tahun 1941, meski tidak sampai tamat. Setelah keluar dari Mulo, ia memutuskan untuk bekerja. Awalnya bekerja sebagai kuli kasar di lapangan terbang Polonia,Medan. Dengan bekal kepandaian melukis, ia kemudian bekerja di kantor Bukaka, sebuah kantor propaganda Jepang.

 

Salah satu pendiri Angkatan Seni Rupa di Medan (1945) ini kemudian bergabung dengan Sanggar senimanIndonesia mudaYogyakarta (dibawah asuhan S. Sudjojono, Afandi dan Soedarso, 1947-1948). Lewat perkenalannya dengan para seniman sastra yang kerap kumpul bersama para pelukis di jalan Garuda, ia akhirnya sedikit demi sedikit mulai tertarik dalam kegiatan tulis menulis.

 

Tahun 1949 bekerja di Balai Pustaka sebagai illustrator. Di Balai Pustaka ia sering mendengar diskusi antar-pengarang, seperti Idrus dan Chairil Anwar. Keadaan itu membuat Nasjah semakin membuatnya tertarik pada kesusastraan. Hal itu kemudian dibuktikannya dengan tulisan-tulisan yang diciptakannya selama ia bekerja di Balai Pustaka, seperti, puisinya yang berjudul Pengungsi. Karya lain yang diciptakan adalah cerita bergambar bagi anak-anak, Hang Tuah (1952) dan Si Pai Bengal (1952), yang kemudian diterbitkan oleh Balai Pustaka.

 

Setelah berhenti bekerja di Balai Pustaka, iakembali ke Yogyakarta. Pada tahun 1952, ia bekerja sebagai pegawai pada Bagian Kesenian, Jawatan Kebudayaan, Departemen Pendidikan dan Kebudayaan, Yogyakarta, bekerja di bagian seni rupa. Di samping itu, ia juga menjadi redaktur majalah Budaya (1955-1962). Di tempat tersebut ia semakin aktif menulis. Karya yang ditulisnya selama bekerja di majalah itu, antara lain, Titik-Titik Hitam (1956), Sekelumit Nyanyian Sunda (1957), dan Jembatan Gondolayu (1957). Ketiganya merupakan drama. Selain menulis di majalah Budaya, ia juga menulis di di majalah Minggu Pagi dansurat kabar Kedaulatan Rakyat.

 

Mulai menulis novel pada tahun 1950. Novel pertama yang dihasilkannya adalah Hilanglah Si Anak Hilang. Karya itu kemudian diterjemahkan oleh Farida Soemargono Labrousse ke dalam bahasa Prancis dengan judul Le Depart de L’Enfant Proddigue (1979). Karya novel lain yang telah ditulisnya adalah Helai-Helai Sakura Gugur (1964), Malam Kuala Lumpur (1968), Yang Ketemu Jalan (1981), Dan Senja pun Turun (1982), Tresna Atas Tresna (1983), Tiga Puntung Rokok (1985), serta Ombak dan Pasir (1988).

 

Karya cerita pendeknya terkumpul dalam tiga kumpulan cerita pendek, yaitu Sekelumit Nynyian Sunda (1962), Di Bawah Kaki Pak Dirman (1967) dan Sebuah Perkawinan (1974). Sedangkan karya puisinya yang pernah di terbitkannya antara lain Berat (dalam majalah Seniman, 1947), Bunga dan Pengungsi (dalam majalah Seniman, 1948), serta Yati Kecil (dalam majalah Budaya, 1954).

 

Atas peran aktifnya di dunia sastra, pendiri Teater Indonesia ini tercatat meraih beberapa penghargaan antara lain karyanya berupa judul drama Sekelumit Nyanyian Sunda (1958), memenangkan juara ketiga sayembara menulis drama Bagian Kesenian Departemen P & K 1958 dan sekaligus memperoleh Hadiah Sastra Nasional BMKN 1957 / 1958. Novelnya Gairah untuk Hidup dan untuk Mati yang merupakan cerita bersambung dalam majalah Minggu Pagi nomor 1—24 tahun 1967 berhasil memperoleh Anugerah Seni dari pemerintah Republik Indonesia pada tahun 1970. Novelnya, Bukit Harapan, meraih hadiah Sayembara Penulisan Roman DKJ 1980. Novelnya yang lain, Ombak Parangtritis (1983) meraih hadiah Yayasan Buku Utama Departemen P & K sebagai buku fiksi remaja terbaik tahun 1983.

 

Penulis yang pernah memperdalam pengetahuan mengenai art dan setting untuk pentas film dan televisi di Tokyo, Jepang, pada tahun 1960-1963 ini, menulis merupakan dorongan batin. Ia pernah berpendapat, mencipta itu merupakan keharusan meskipun untuk sementara ciptaannya itu disimpan dalam lemari. Karya-karya yang ditulisnya merupakan sumbangan yang berharga bagi perkembangan kesusasteraan Indonesia. Setelah menikah pada tahun 1967, Nasjah Djamin tinggal menetap di Yogyakarta bersama istrinya, Umi Naftiah dan anak-anaknya. Nasjah Djamin wafat di Yogyakarta pada 4 September 1997, dalam usia 73 tahun. Jenazahnya dimakamkan di Bukit Saptorenggo, Imogiri,Yogyakarta.

SEBUAH CATATAN DARI ARENA”TITIK TITIK HITAM” NASJAH DJAMIN

OLEH

B.SRI OEMARJATI

(BUDAYA 23,TAHUN  KE IX,PEBRUARI-MARET 1960,KOLEKSI Driwan)

the complete CD exist,but only for premium member,please subscribe via comment to find the comple e-book in CD ROM The Indonesian Legend Writer History part A to Z,thank you

the end @ copyright 2012

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