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The Chinese Imperial ceramic Artwork Motif Found In Indonesia(continiu)

THE ART MOTIF OF CHINA IMPERIAL CERAMIC FOUND IN INDONESIA

PART THREE

PART III. STUDIES RESULTS

 

By

Dr Iwan Suwandy , MHA

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Chinese Zodiac Symbols Motif 

7)  Horse Zodiac Motif

 

8) Goat Zodiac Motif

9) Monkey Zodiac Motif

 

I. THE CHINESE ETHNIC HISTORY OF MONKEY 

1.The skin of the golden brown monkey or Rhinopethicusbroxellane of Szechuan and kansu is much valued by the Chinese and it is asid at one time only members of the Imperial family were entitle to wear it (couling,Encyclopedia Sinica,Monkeys)

2. The Monkey is one of the symbolic aninal correspondent with the ninth of the Tweleve Terretrial Branches, and though worshipped to some extent by the Buddhists, is commonly regarded as the emblem of ugliness and trickery.

3. The monkey was first worshipped in return for some supposed services rendered the individual who went to India, by special command of an Emperor of thereligion-so some affirm. This Emperor deified the monkey or at least he conferred the august tittle of ‘The Great Sage equal to Heaven’ upon that quaduped, The birthday of ‘His Excellency, The holy King’, is believed to occur on the twenty-third of the second Chinese Month, when His Majesty is pecially worshipped by men from all classes of society. 

4. The Monkey is believed to have the general control of hobgoblins, Witches , elves etc. It is also supposed to be able to bestow health (Dr Iwan S. birth at the last day of Monkey Years, that is why his parent said him the tail of monkey, and also became the physiciann and master of Healt & Hospital Administration), protection , and sucess on mankind, if not directly, indirectly, by keeping away maliciuos spirits or goblin. Chinese People often imagine that sickness , or want of sucess in study or trade, is caused by witches and hobgoblins. Hence the sick, or the unsuccesful, worship the monkey in order to obtain its kind offices in driving away or preventing the evil influences of various imaginary spirits or powers(Doolittle;social life Of chinese p.228)

5 In Tionghoa ethnic history, the Monkey very known as the Sun Go Kong

. or now in China Sun wu-Kang , the Monkey Ancetors with the Magic ring ar0und his forhead

that will smaller and made the head’s pain if he made the wrong sexual act , also he have the power to duplicated himself by pull his armpit’s hair.
In the Chinesehomeland and Tionghoa etnic folklore story THE TRAVELLING TO WEST , the Monkey was the emblem of Human’s Cleverness(kecerdasan) and the power of human pshycollogic brains powers (akal budi) , and the name- the King of all Monkeys have given to someone who have many strategic actions(tipu muslihat) , also during this travelling the Monkey very clever in medical therapy (as therapist)
( everybody have ever seen the movie or video of the famous Sun go Kong or Dewa Kera, but until this time UCM only found one Sun Go Kong -the Ming sancai Monkey figurine, and this is the first report and never seen in the International auctions,this Figurine very rare and very high investation value because the chinese belief that he have the power to control all the creator which made the sickness and unsuceesfull,you will always healthy and sucess if collect this rare Monkey figurine, that is why in my senior age I am alway healthy and succeed,don’t you believed?
please if the collectors have the same Ming Monkey figurine please contact via comment with your opinion-Dr Iwan S)

6. Sun go kong or Sun Wu-Kong (wu and go ast the same meaning and character but different dialeg Fukian an Kek), was borned from a magic stone and after have the magic power and trined by the monk Tao P’u ti Tsu-shih , he have the magic stick Yu which could made the the Dragon king became afraid. he became the king of Monkey and command all the animal all over the world . But Sun Go-kong didnot sastified, he asked the air’s queen (Ratu langit) to be the as same with her and he still the the Queen Long Life Peer fruit, but he was kninapped ,but the monkey cannot destroyed by the Queen and the flame of eight diagram Lao Tzu., The Buddhist Queen Quan-yin have traped the Monkey in the below of the Mointain to wait the Hsuan Tsang monk which travel to India in order to get the Buddhish Books . The instersting story about how the Monkey ancetors , with The Pig ancetors and the Mountain monk help the Hsuan Tang monk travel to India and found the Buddhist Books, The travel to the West was the original history during The Tang dinasty which the emperor order the Monk travelto India to get the Budddiht books, this book were written during the Ming dinasty (please read the Ancient Travel Unique collection and the Book Unique Collec-tions ) The story based on the India Hindu Ramayana story about the clever and magic power of The King of Money Hamonan in Rama-Shinta history.
The history of the magic Yu stick were original during the third emperor of last emperor Tayu of Hsia dinasty , this emperor Nefrit was the first man who used the stick to estimate the water level of fload and control that fload, and the Water Ancetor was the Monkey which could control the water animal which caused the fload before the devil had tied at the mountain but i could free itself and made fload .The traditional Chinese yu dancing were in actions during the anti Fload ceremony.

II. THE CHINESE ETHNIC LUCKY FENGZUI OF MNKEY

1. The Monkey is the emblem of long life and Healthyness

2. The Monkey Could control the evil and women whictcraft that is why the Monkey have believed will bring the healthyness, protections against diseases and pull out the criminal factors against humankind.

3. The relation bertween the Monkey and the Yu emperor and the Dewa Guntur had told how important the Monkey in China or Tionghoa tradition, they honored to the Sun Go-kong , that is why the Chinese artcraft didnot painting the Holy Monkey figure in ceramic , and very difficult to found the Sun Wu-kon figurine small statue during dinasty Ming, because the Brown gold Monkey only used by the Ming Imperial court or as the given the Indonesia’s King or the Tionghoa Commander in Chief . please the sinolog help me with more informations via comment, also if the collectors who found the Ming Monkey Figurine please report via comment

The Chinese Imperial Ceramic Artwork Found In Indonesia (continiu)

THE ART MOTIF OF CHINA IMPERIAL CERAMIC FOUND IN INDONESIA

PART THREE

PART III. STUDIES RESULTS

 

By

Dr Iwan Suwandy , MHA

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Special For Senior Reseacher And Collectors

Copyright @ 2013

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Chinese Zodiac Symbols Motif 

 

 

9) Chicken Roster Motif

Rare Yuan Cock ceramic.

2. THE CHINESE ETHNIC HISTORY OF THE COCK
(1). The cck is the chief emnodiment of the element Yang,which represents the warmth and life of the universe. It is supposed to have the power of changing itself into uman form, to inflict good or evil upon mankind.
(2). The cock have a crown in his head, a mark of his literary spirit and he also have spurs on his feet, a token of his warlike disposition.
(3), The Cock is courageoud, for he fights and benevolent , always clucking for the hens when he scratches up a grain and faithful, for he never lses hours.
(4) The picture of a red cock is often pasted on the wall of a house in belief that the bird is a protection against fire.
(5). As aGhsts disappear at sunrise, the cock is supposed to drive them away by his crowing.
(6). Hence a white cock is sometimes placed n the coffin in funeral processions to clear the road of demons.
(7). The Chinese say that one of the three spirits of the dead comes into the cock at the time of the meeting the corpse, and that the spirit is thus allure back to the residence of the family. Some explain the used of a purely white cock to the exclusion of any other coloured cock on such occasions, by saying that White cock is a divine or spiritual fowl.
(8) Cock-fighting was practised in China some five hunderd years ago (In Bali still a traditions until now, althoug agains the law if t be a gambling and the Police will arrest them especially at the islamic area.

3. The Chinese Lucky Fengsui of the Cock
(1.) No doubt, however, its white colour is emblematical of purity of heart.It was the customof the bride and bridegroom to eat white sugar cocks at the wedding ceremony. A white cock is said to be aprotection against beneful astral influences and to be the only capable guide of transient spirit.
(2)The Sins of the offerer are said to be transferred t the entrails of the Cock, and these are exposed upon the hused-top, to be carried away by birds of the airs,
(3) A cock and a hen standing amid artificial rck-work in a garden of peonies is common pictorial design symbolizing the pleausures of a country life.
(4) A Cock on the roof of a house is regarder as a bad omen, and it very unlucky if it thunders while a hen is sitting on eggs.
(5) The embroidery Cock design were used on the Judge wear,the cock on the rock looking the sunrise were the emblem of the Emperor power and authorities.
(6) The lucky days of the cock is the Saturday, if someone have their wedding in this day, will made the harmonis and wealthy merriage, but if the buried ceremony on this day will made their rank up in People society

10) Dogs Motif

Late Ming white  Dog Motif Figurine

 

Late Ming  Lion Dog  Motif Figurine

11) Pigs Motif

 

 

 

 Pig symbol motif ceramic

 

The Chinese Imperial Ceramic Artwork Found In Indonesia(continiu)

THE ART MOTIF OF CHINA IMPERIAL CERAMIC FOUND IN INDONESIA

PART THREE

PART III. STUDIES RESULTS

 

By

Dr Iwan Suwandy , MHA

Private Limited E-Book In CD-Rom Edition

Special For Senior Reseacher And Collectors

Copyright @ 2013

THIS THE SAMPLE OF Dr Iwan Limited E-Book In CD-Rom with unedited non complete info illustration, the complete CD-Rom exist but only for premium member please subscribe via comment with your email address and private information same as  your ID-Card

 

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FRUIT AND FLOWER  GOOD FORTUNR LUCKY SYMBOL

2) Chrysanthemum flower (Chrysanthenum) SYMBOL BEAUTY

1)Chrysanthenum

Tang Chrysanthenum Flower Motif

Tang treasure


 
These photos by Tony Law, National Geographic

Yang menarik adalah jumlah besar dan -kondisi mint keramik  Changsha , bentuk  Keramik Tang selatan mudah diidentifikasi oleh khas glasir coklat dan kekuning-kuningan 

The Changsha specimens found in the Belitung wreck are decorated with an enormous range of motifs. There is something for everyone: lotuses, makara fish and Chinese calligraphy for the Buddhists, invocations of Allah and non-pictorial, geometric patterns for the Muslims, and everything in between.

These are not terribly valuable in and of themselves; they are, as Simon Worrall’s droll appraisal in his article in National Geographic goes, “the Tang equivalent of Fiestaware”.

Changsha spesimen ditemukan di bangkai kapal Belitung dihiasi dengan berbagai motif besar. Ada sesuatu untuk semua orang: teratai, ikan makara dan kaligrafi Cina bagi umat Buddha, doa Allah dan non-bergambar, pola geometris bagi kaum muslim, dan segala sesuatu di antaranya. Ini tidak sangat berharga dalam dan dari diri mereka sendiri, mereka, sebagai penilai lucu Simon Worrall dalam artikelnya di National Geographic pergi, “setara Tang dari Fiestaware” 

Yuan red underglazed chrysanthemum motif vase yuhunchuping.

 

chinese Imperial Persian Mohameddan blue chrysanthenum motif  bowlYuan chrysanthemum cup

 

Yuan chrysanthemum and dragon   motif ink box

Yuan Chrysanthenum motif jarlet

 

Yuan Chrysanthenum motif Cup

Yuan Chrysanthenum  Motif Vase

 

 

:”The Rare Ming Imperial Chrysanthemum Ceramic” 

 

Ming Imperial Chrysanthenum

Original Ming mark

Ming tsuante mark

Original Ming Imperial

  

 THE CHINESE ETHNIC HISTORY OF CHRYSANTHEMUM


(1). The Chrysanthemum Indica or China Aster, is much cultivated il all parts of the country and is greataly esteemed for the variety and richness of its colouring.


(2). There are innumerable varietes of the Chrysanthemum in China,of which at least thrirty-five are said to be indigeneous in Honan. Four distimct treatises have been written on the cultivation of this composite flower.(PRC had issued the serial Chrysanthemun flower on their special commemorative stamps)
(3). The Dried fragnant flowers are said to be tonic, sedative and cosmetic.They re principally used as a wash for sore eyes. The tincture is said to be useful in debility. the ashed of the flower are said to be insecticide. The flower istaken in the form of powder to recover the drunkard. .


(4).A kind of tea is made from the dried petals which are sometimes soaked in wine.


(5) The 9th moon is known as the Chrysanthemum Month, when it is customary to make a special point of going out and feasting the eyes upon the beautiful blossoms, after which a refestion of crabs and samshu is consumed. In Beijing, chrysanthenum cuttings of different kinds are grafted on a sturdy, wild variety, which grows in profusion on the city wall, thus producing a grotesque plant with bloosoms of many colours.


(6) Since the republican ere it has been employed as a decorative motif on collars, badges, buckles,sword-hilts etc. used by the Army, in contra-diction to the sheaves of rice, which are similary employed in the Naval uniforms. It was regard as the national flower. (the same during Yuan dinasty, that is why many yuan ceramic with this flower decorative also in ming dinasty, but the imperial chrysanthenum decoration were special type, please the biologist collectors help to tell us the spesies of the Imperial chrysanthemum from the illustrations via comment)

Sejarah Bunga Krisan Derunia  Di tiongkok


(1). The Chrysanthemum Indica atau China Aster, yang banyak dibudidayakan il semua bagian negara dan
sangat  terhormat untuk berbagai dan kekayaan pewarnaan. 

(2). Ada varietes tak terhitung dari Krisan di Cina, yang setidaknya thrirty lima dikatakan indigeneous di Henan. Empat risalah distimct telah ditulis pada budidaya bunga ini komposit. (RRC telah mengeluarkan bunga Chrysanthemun serial pada perangko peringatan khusus mereka)


(3). Bunga-bunga kering fragnant dikatakan tonik, obat penenang dan cosmetic.They kembali terutama digunakan sebagai pencuci untuk sakit mata. Tingtur dikatakan berguna dalam kelemahan. yang ashed dari bunga dikatakan insektisida. Bunga istaken dalam bentuk bubuk untuk memulihkan pemabuk. .

(4). Sebuah jenis teh yang terbuat dari kelopak kering yang kadang-kadang direndam dalam anggur.

(5) The 9th bulan dikenal sebagai Bulan Krisan, ketika kebiasaan untuk membuat titik khusus untuk pergi keluar dan berpesta mata atas bunga yang indah, setelah itu refestion kepiting dan samshu dikonsumsi. Di Beijing, Chrysanthenum stek berbagai jenis dicangkokkan pada kokoh, berbagai liar, yang tumbuh di profesi di atas tembok kota, sehingga menghasilkan tanaman aneh dengan bloosoms banyak warna.

(6) Sejak ere republik telah digunakan sebagai motif dekoratif pada kerah, lencana, gesper, pedang-gagang dll yang digunakan oleh Angkatan Darat, di kontra-diksi ke berkas gandum beras, yang similary digunakan dalam seragam Angkatan Laut . Itu anggap sebagai bunga nasional. (sama selama Yuan dinasti, itu sebabnya banyak yuan keramik dengan bunga dekoratif ini juga dalam ming dinasti, tapi dekorasi Chrysanthenum kekaisaran tipe khusus, silahkan para kolektor biologi membantu untuk memberitahu kami spesies dari Imperial krisan dari ilustrasi melalui komentar ) 

.THE CHINESE LUCKY FENGSUI OF CHRYSANTEMUM
(1) The flower is an emblem of mid-autumn and symbol of joviality.
(2) The Chrysanthemum is generally associated with a life of case, and retirement from public office. The poet Tao Chien 365-427 AD is spite of poverty refused to occupy an official post, but preferred to devote his life topoetry, music, wine and chrysanthemum growing.
(3) Chrysanthemum are given very charming and refined names. The yellow button, similar to wild form, is called Heaven full of star. the White quill,Goose-feathers Tube’, the yellow quit’Carrot-threads’. The large ragged mauve ‘Drunk with wine made from Peaches of the Immortals.
The big single white with yellow center ‘ Jade Sauceer Gold cup’, the varietes with very fine petals’ Pine Needles’ or ‘Dragon’s beard’
REd ground and white dots’ Maple leaves and Reed flower’. White striked with red’ Snow on the Ground rouge’; The idea suggested being either that of a young girl admiring the snow or journey of the lovely Wang chao-chien to the snowy wasted of Central Asia.
(The ethnic chinese always look the flora and fauna nature related to lucky fengsui and the made the exciting poem which gave the sensitive emotion for joy and longlife -the art of ethnic chinese homeand still didnot disappear in ethnic Tionghoa Indonesia, tehy alway prefered their wedding day at the 9 Month of the Year circa September and october, I and allmy son also merried in that month ,and we are always happy in the family, do you belief or not, please proof to your family wadding day-DR iwan S)
@copyright Dr Iwan S.2010

Look the artifact Yuan Ceramic with motif chrysanthemum

 

 

fake repro bluur design compare with the original below

Please compare flower decoration left Anamese vs right Yuan -style

 

Best perfect decoration

 

Bold dark blue bead jarlet

 

Best style flower decoration

 

The beast and the beauty,s red flower body decorations

Best dark red body decoration
Dark brown red bold body decoration (anamese?)
Darkred splash body decoration
Simple perfect red decoration
simple decoration with bright red colour

Simple perfect red decoration

simple decoration with bright red colour

Very dificult to produce the red in glazed ceramic, the collour gradation from best ruby red, red brown, and brown depend on the firing technology that is why during Yuan dynasty  didn’t produced for daily used, only the best red colour used in the imperial court and some as the given to friend’s King or Sultan, please look carefully verious exciting red colour from our artifact collectiions found in Indonesia. Please comment and choose the best one to put in the IMUCS cybermuseum. Thank very much to joined the collector choice program.

 

 

 

Simple bottom decoration

Upper part of cloud decoration in the body
simple best cloud decorations
Best blue and style flower decoration in the body
Best perfect spout,s dragon decoration
Best and perfect neck-body border key fret decoration
Bold Necklet decoration
Simple necklet decoration
Simple bold neck decoration
Simple neck decoration
Simple inner mouth decoration
 

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December 24, 2009 by uniquecollection

Simple,perfect and best colour MBlue yuhunchuping vase decoration

The very rare blue of Yuan ceramic were import from the middle east that is why called Mohhamedan Blue or Sunipo (please read the information in this blog”The unique red and blue Yuan-Ming ceramic collection”. This type of colour  was first use during  Yuan Dynasty very beautiful like Saffir blue and use for imperial court or give to the friedly King. In Indonesia still hard to find the guinine and fine conditions item, many brokken restored and must be carefull to the repro one. The artifact were IMUCS private collection found in Indonesia, we will put some of the best collector choice in our IMUCS Cybermuseum, please collector to choice which one the best collection with your comment especilly compared with your own collections.

 

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The beast and the beauty,s red flower body decorations

Best dark red body decoration
Dark brown red bold body decoration (anamese?)
Darkred splash body decoration
Simple perfect red decoration
simple decoration with bright red colour

Very dificult to produce the red in glazed ceramic, the collour gradation from best ruby red, red brown, and brown depend on the firing technology that is why during Yuan dynasty  didn’t produced for daily used, only the best red colour used in the imperial court and some as the given to friend’s King or Sultan, please look carefully verious exciting red colour from our artifact collectiions found in Indonesia. Please comment and choose the best one to put in the IMUCS cybermuseum. Thank very much to joined the collector choice program.

 

Posted in Uncategorized | Leave a Comment »

Simple bottom decoration

flower bouqet body decorations
Dark red flower body decoration
simple redbrown body decoration
Neck,mouth and lips of red yuhunchuping vase yuan dynasty

simple bracelet neck decoration

RED IN GLAZED YUAN DYNASTY CERAMIC WERE THE VERY RARE CHINESE ART WORKS. In Indonesia until this day not much gunine items found, at Central Musuem Jakarta have only two items yubunchuping vase without neck and mouth. Many new reproductions from China and Indonesia have seen this day, to help the collector for identified their collections , IMUCS cyber musuem will put some best illustrations of our artifact collections. I hope all colectors all over the world to choose from some illustations the best one  to put permanetly in our cybermusuem, and you will joined our collector choice program.

 Dr, Iwan S.  

Keberuntungan  fengsui Bunga krisan


(1) Bunga merupakan lambang pertengahan musim gugur dan simbol
kegembiraan .


(2) Krisan umumnya dikaitkan dengan kehidupan kasus, dan pensiun dari jabatan publik.

Penyair Tao Chien 365-427 AD adalah meskipun kemiskinan menolak untuk menempati pos resmi, tapi pilihan untuk mengabdikan hidupnya  pada  penulisan sanjak  , musik, anggur dan pertumbuhan krisan .


(3) Krisan diberi nama yang sangat menarik dan halus. Tombol kuning, mirip dengan bentuk liar, disebut Surga penuh bintang. Putih pena, Goose-bulu Tabung ‘, kuning quit’Carrot-benang’.

Besar compang-camping mauve ‘Mabuk dengan anggur yang terbuat dari Persik dari Dewa.
Satu besar putih dengan kuning pusat ‘Jade Sauceer Emas cup’, para varietes dengan kelopak yang sangat halus ‘
  jarum Pine ‘ atau ‘Jenggot Naga Dragon ‘
Tanah Merah  dan titik putih ‘Maple daun dan Reed flower’. Putih striked dengan ‘Snow on the Ground rouge’ merah, Ide menyarankan menjadi baik bahwa seorang gadis muda mengagumi salju atau perjalanan dari Wang indah chao-chien ke bersalju terbuang dari Asia Tengah.

( etnis Cina selalu melihat flora dan fauna alam yang berkaitan dengan lucky fengsui dan membuat puisi yang menarik yang memberikan emosi sensitif untuk sukacita dan longlife-seni homeand etnis Cina masih didnot hilang dalam etnis Tionghoa Indonesia, tehy alway prefered pernikahan mereka hari pada 9 bulan Tahun sekitar September dan Oktober, saya dan anak allmy juga merried pada bulan itu, dan kami selalu senang dalam keluarga, apakah Anda percaya atau tidak, silakan bukti kepada gumpalan keluarga Anda sehari-DR iwan S)

Motif Lotus flower

 

Various Late Ming Loyus flower motif bowl

Late Ming Lotus flower motif cover box

Late Ming Lotus flower motif  Bowl

 

FRUIT AND FLOWER  GOOD FORTUNR LUCKY SYMBOL

3) Lotus symbol of perfection and progress indefinitely

 

Ming Lotus flower symbol motif plate

 

Motif peach fruit

  

Motif) longevity Symbol

Compare literature 

Motif flora Peach fruit

 

This medallion is cut from the base of a large flower bowl. The peach symbolize health and a long life. The medallion feature the unusual ‘bi-style’ foot ring.

 

The Chinese Imperial Ceramic Artwork Found In Indonesia (continiu)

THE ART MOTIF OF CHINA IMPERIAL CERAMIC FOUND IN INDONESIA

PART THREE

PART III. STUDIES RESULTS

 

By

Dr Iwan Suwandy , MHA

Private Limited E-Book In CD-Rom Edition

Special For Senior Reseacher And Collectors

Copyright @ 2013

THIS THE SAMPLE OF Dr Iwan Limited E-Book In CD-Rom with unedited non complete info illustration, the complete CD-Rom exist but only for premium member please subscribe via comment with your email address and private information same as  your ID-Card

 

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Mot1f Peony

Motif Symbol Love and marriage

4) Peony Flower Tan Mou

 

 

Yuan peony flower symbol motif palte

Peony  croll

compare literatures

 

Motif Flora  Scroll Peony

Medallion 1339

 

This RARE and magnificent medallion is cut from a 51 cm diameter kraak plate. The motif include a basket with the Chinese scroll, peony and chrysanthemums. These motifs symbolize spring time and express wishes for prosperity and a long life. By placing these motifs inside a fence, the artist wish inner peace. The medallion was split in two but are now joined and the split is near impossible to see. It stretch from  about2 o’clock to about 5 o’clock. So it only cover a small part of the right side. There are now only two medallions of this size and quality available.

Size: 30 cm Motif Flora Fungus Liangcao

 

 

 

This fungus bowl belongs to the ‘best available’ group of ceramic artefacts from the Wanli shipwreck site. It shows a series of fungus liangcao motifs. This plant is a rare Chinese herbal medicine reputed as “elixir of life”. The bowl is totally intact with little ‘tender edges’along the rim. The glaze is in a very good glossy condition and the resonance of the bowl is very high pitch.

Motif  Flora Peony

 

This center medallion shows a  peony flower which symbolizes spring time. The medallion have a full, glazed foot. This medallion was cut from a 20 cm large flower bowl.

Size: 11.5cm diameter

Motif Flora Peony Flower

rial Mark Cenghua

Lion dog  with peony flower symbol motifbowl

This lion dog  with peony flower symbol motif  bowl is from the best available group and feature one of the best-known Ming dynast motifs: ‘Lion piecing through peony scrolls’. The cobalt blue decoration is rich, contrasty, well-rendered and stands out in contrast to the white background. The bowl is totally intact and has a think, satin glaze covering. Resonance whe tapped is very high pitch which suggest good quality clay and high firing temperature. There is very little ‘tender edges’ along the rim. The base show the (apocryphal), six character mark; “Chenghua Nian Zhi” (Made during the Chenghua reign of the Great Ming dynasty) (1464-1487). .   Size: 21.5 cm diameter

Motif Flora

Flora Peony flower

 

Flower bowl W-6009 is intact and in an overall good condition.  Resonance is very good which confirms proper firing temperature and good quality clay. The base is glazed and show the (apocryphal) reign mark of emperor Chenghua whom ruled China between 1464 – 1487.

The Chinese Imperial Ceramic Artwork motif found in Indonesia(continiu)

THE ART MOTIF OF CHINA IMPERIAL CERAMIC FOUND IN INDONESIA

PART THREE

PART III. STUDIES RESULTS

 

By

Dr Iwan Suwandy , MHA

Private Limited E-Book In CD-Rom Edition

Special For Senior Reseacher And Collectors

Copyright @ 2013

THIS THE SAMPLE OF Dr Iwan Limited E-Book In CD-Rom with unedited non complete info illustration, the complete CD-Rom exist but only for premium member please subscribe via comment with your email address and private information same as  your ID-Card

 

Driwancybermuseum Homeoffice 

Motif pine tree

 

Late Ming pine  tree motif  longlife  big bowl

https://driwancybermuseum.wordpress.com/2010/12/12/pameran-keramik-langka-ming-swatowexhibition/

 

Object statement

Dish, porcelain, Swatow, Ming Dynasty, China, early 17th century

The Significance Statement summarises why an object is important and places it in a social and cultural context. An object may be significant for various reasons, including: historical use, rarity, design/aesthetics, new technology or changes in society. Statement of significance

This blue and white Swatow dish depicts longevity motifs including sun, pine trees, rocks and antelope. It has six floral medallions amongst a fish scale design on the flat rim, kiln grit to base.

 

Swatow ware or Swatow is a group of late Ming Dynasty exports ware from China to Japan, India and other Southeast Asian countries. Swatow is a name of a port on the South China (now Shantou) on the northern coast of the Guangdong region. So far the kilns where these have not been identified, but possible places of manufacture include Te-hua or Chuan-chou (Fukien) and Shihwan(Canton).

 

Swatow ware is generally coarse, crudely potted and often under fired. Decoration in blue and white is by far most common, although many polychrome wares, mainly with iron red and green over glaze decorations, are known.

this collection were collected in Jakarta betweeen 1968 and 1976. The collection is a good representation of trade wares in Southeast Asia and reflects the development of the ceramic industry and trade within the Asian regions during the thirteenth century and seventeenth century. This  ceramic ware was probably exported to Indonesia via a sea trade route when Thailand became deeply involved in the long-distance ceramic trade.

Motif) longevity Symbol

3) Pine Tree

 

 

 

 

Motif Bamboo Tree

 

late qing Bamboo tree symbol motif tea cup with cover

 

Motif) longevity Symbol

5) bamboo tree

FRUIT AND FLOWER  GOOD FORTUNR LUCKY SYMBOL
1) Yuan  Flowers Fruit Plum  symbols facilitate LUCK Good Fortune

 


4) Qing Orchid Flower  symbols epitome of perfection

 

Qing Batavian beown Ware with Orchid symbol motif


5) citrus fruit brings many blessings

 

kendi (ritual water sprinkler), early 1600s China, Ming dynasty (1368-1644)
Wanli period (1573-1620)
porcelain, underglaze
 with cirus symbol motif

 

The Chinese Imperial ceramic Artwork Symbols Motif found In Indonesia(continiu)

THE ART MOTIF OF CHINA IMPERIAL CERAMIC FOUND IN INDONESIA

PART THREE

PART III. STUDIES RESULTS

 

By

Dr Iwan Suwandy , MHA

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3.6.3

 Landscape motif

 

 

Qing Imperial Landscape Stampcup

 

Late Ming landscape with  euro trading ship and stupa temple motif plate with other motif below

Foreign ship( VOC,EIC or Portugeus?) in the sea-gulf (where? may be Old Bantam port , but in hat area no stupa)

 

Native fisherman ship

 

 

Local people with their ship went to the foreign bigger ship at the gulf (where?)

 

 

The landscape at the beach of the gulf ,look at the traditional fisherman trap.at the rim of the soucers.

 

Dutch Indie Company (VOC) Port

 Old Dutch VOC Tiles with Voc fort landscape

 

 

 

Late Ming landscape plate (may be Karanghantu port Banten lama where this plate was found)

 sorry the illustration of below motif didnot upload

Qing landscape motif Sansui plate 

Qing landscape with figure portueuos  and chinaese

Compare with literatures info

Motif  Landscape

A kraak plate medallion of good quality. The motifs included are the bird, the rock, flower arrangement and the moon all set in a seascape setting. These motifs suggest early morning and start of new life. The theme is also know to the Chinese as chun guang chang shou which also refers to ‘spring time and longevity’ All together, this theme connotes the blessing for vibrant youth, healthiness and long life   This medallion is painted in crispy blue cobalt with the motifs well executed.

 

RARE bell cup from the Wanli (c.1625) shipwreck in good condition. There is however a fine, short hairline and some small fills to the handles. Resonance when tapped is very good. The base show a apocryphal six character

(Chenghua Nian Zao) reign mark of emperor Chenghua (1464-1487).

 

Landscape motif bowl  from the Wanli (c.1625) shipwreck. These dishes

are likely to have been made at the Guanyinge kiln complex,

Jingdezhen, China, where similar production waster has been found. The main decorative motif; the bird on a rock, the flower arrangement and being surrounded by various emblems on the cavetto, represent the popular ‘spring time and longevity’ motif which was popular during the Ming dynasty. The motif of a lantern and tassel represents joy and festivities to the Chinese. A lantern is often given as a auspicious gift at weddings and play an important role in social and religious life.

 

Throughout the history of art in China, decorative motifs were applied not exclusively for their aesthetic value but also their symbolic implications.  Daoism, the main religious philosophy of the time, dwelled on issues of harmony of man and the universe. Images of nature were widely featured during this period.

The natural world is celebrated with images of peonies signifying spring, the lotus for summer, the Chrysanthemum for autumn and Prunus for winter.  Landscapes depicted on porcelain are inhabited by deer, birds, butterflies and crickets.  There is also a fondness for highly symbolic images of dragons, phoenix and cranes.

Favorites in the Daoist pantheon are the Eight Immortals. The eight-paneled kraak plates (with scalloped flat rims) are decorated with images of motifs traditionally associated with the Immortals – fans, castanets, fly whisk and the double gourd bottle. Buddhist symbols such as sacred scrolls, the Swastika and the Artemisia leaf are also featured.

About apocryphal marks:

 

The 17 th century Portuguese and Dutch buyers required porcelain wares to have markings of some kind in the base. A letter from the Dutch headquarters in Batavia to their office in Taiwan request in 1610:  “It should be seen to that all these afore-noted kinds of porcelain have under the bottom a blue seal, for about this they (the buyers) are very particular.”

 

Since the decorators were not allowed to paint the present emperors reign mark on export wares, they painted the mark of an previous emperor. Such marks are very common and always indicating and earlier production time.  The present emperors’ reign mark could only be applied to imperial wares ordered by the palace

 

The Chinese Imperial ceramic artwork symbol motif found in Indonesia(continiu)

THE ART MOTIF OF CHINA IMPERIAL CERAMIC FOUND IN INDONESIA

PART THREE

PART III. STUDIES RESULTS

 

By

Dr Iwan Suwandy , MHA

Private Limited E-Book In CD-Rom Edition

Special For Senior Reseacher And Collectors

Copyright @ 2013

THIS THE SAMPLE OF Dr Iwan Limited E-Book In CD-Rom with unedited non complete info illustration, the complete CD-Rom exist but only for premium member please subscribe via comment with your email address and private information same as  your ID-Card

 

Driwancybermuseum Homeoffice 

Other good Fortune Motif

 

Pumkin Symbol Motif

Yixing Pumkin symbol motif tea pot

MOTIF SYMBOL OF WEALTH AND SUCCESS
1). COINS CHINA

 Photo: late qing chinese coin wealthy symbol motif cover box collection Driwan

LATE QING  COIN MOTIF  COVER BOX
2) Vase Wealty Motif

 

 

Lte Ming Dragon Vase motif protection and wealthy
8) pumpkins symbol motif

 

MOTIF PROTECTION SYMBOL

Photo: Guardian Plate Mo Li Ching  easr king of heaven motif collection Driwan

 Pat Kua with Eastren  Heaven God  Mo Li ching Motif Metal Plate

9) anti Sandalwood Fan negative energy

10) singing bowl

 Photo: eight buddish symbols at early ming cup part of my collections whic upload at my web hhtp://www.Driwancybermuseum.wordpress.com

Early ming eight Buddhist Emblem Symbol Motif singing bowl to clear the area

(the bowl will singing when we knock because the best  high fire kiln porcealin )

The End Of Part III