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My fair Lady(Nat King Cole)
My Fair Lady (film)
My Fair Lady is a 1964 American musical film adaptation of the Lerner and Loewe stage musical, of the same name, based on the film adaptation of the stage play Pygmalion by George Bernard Shaw. The ending and the ballroom scene are from the 1938 film, Pygmalion, rather than Shaw’s original stage play. The film was directed by George Cukor and stars Audrey Hepburn and Rex Harrison.
The film won eight Academy Awards, including Best Picture, Best Actor, and Best Director.[1]
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Plot
In Edwardian London, Henry Higgins (Rex Harrison), an arrogant, irascible, misogynistic professor of phonetics, believes that the accent and tone of one’s voice determines a person’s prospects in society. He boasts to a new acquaintance, Colonel Hugh Pickering (Wilfrid Hyde-White), himself an expert in phonetics, that he could teach any woman to speak so “properly” that he could pass her off as a duchess at an embassy ball, citing, as an example, a young flower seller from the slums, Eliza Doolittle (Audrey Hepburn), who has a strong Cockney (“Lisson Grove lingo” as it is called) accent.
Eliza goes to Higgins seeking speech lessons. Her great ambition is to work in a flower shop, but her thick accent makes her unsuitable for such a position. All she can afford to pay is a shilling per lesson, whereas Higgins is used to training wealthier members of society.[2] Pickering, who is staying with Higgins, is intrigued by the idea of passing a common flower girl off as a duchess and bets Higgins he cannot make good his boast, offering to pay for the lessons himself.
Eliza’s father, Alfred P. Doolittle (Stanley Holloway), a dustman, shows up three days later, ostensibly to protect his daughter’s virtue, but in reality simply to extract some money from Higgins, and is bought off with £5. Higgins is impressed by the man’s honesty, his natural gift for language, and especially his brazen lack of morals – “Can’t afford ’em!” claims Doolittle. Higgins recommends Doolittle to a wealthy American who is interested in morality.
Eliza goes through many forms of speech training, such as speaking with marbles in her mouth, enduring Higgins’ harsh approach to teaching and his treatment of her personally. She makes little progress, but just as she, Higgins, and Pickering are about to give up, Eliza finally “gets it”; she instantly begins to speak with an impeccable upper class accent.
As a test, Higgins takes her to Ascot Racecourse, where she makes a good impression with her stilted, but genteel manners, only to shock everyone by a sudden and vulgar lapse into Cockney while encouraging a horse to win a race: “C’mon Dover, move your bloomin’ arse!” Higgins, who dislikes the pretentiousness of the upper class, partly conceals a grin behind his hand.
Eliza poses as a mysterious lady at an embassy ball and even dances with a foreign prince. At the ball is Zoltan Karpathy (Theodore Bikel), a Hungarian phonetics expert trained by Higgins. After a brief conversation with Eliza, he certifies that she is of royal blood. This makes Higgins’ evening, since he has always looked upon Karpathy as a bounder and a crook.
After all the effort she has put in however, Eliza is given hardly any credit, all the praise going to Higgins. This, and his callous treatment towards her afterwards, especially his indifference to her future, causes her to walk out on him, leaving him mystified by her ingratitude.
Accompanied by Freddy Eynsford-Hill (Jeremy Brett), a young man she met at Ascot and who has become enamoured of her, Eliza returns to her old stomping ground at Covent Garden, but finds that she no longer fits in. She meets her father, who has been left a large fortune by the wealthy American Higgins had sent him to and is resigned to marrying Eliza’s stepmother. Alfred feels that Higgins has ruined him, since he is now bound by morals and responsibility. Eventually, Eliza ends up visiting Higgins’ mother, who is incensed at her son’s behaviour.
Higgins finds Eliza the next day and attempts to talk her into coming back to him. During a testy exchange, Higgins becomes incensed when Eliza announces that she is going to marry Freddy and become Karpathy’s assistant. Higgins explodes and Eliza is satisfied that she has had her “own back.” Higgins has to admit that rather than being a “a millstone around my neck… now you’re a tower of strength, a consort battleship. I like you this way.” Eliza leaves, saying they will never meet again.
After an argument with his mother—in which he asserts that he does not need Eliza or anyone else — Higgins makes his way home, stubbornly predicting that Eliza will come crawling back. However, he comes to the horrified realization that he has “grown accustomed to her face.” Then, to his great delight, Eliza suddenly returns to him.
The ending
In the ending of the original play Eliza makes it clear that she will marry Freddy. Shaw later wrote an essay[3] in which he explained precisely why it was impossible for the story to end with Higgins and Eliza getting married, though they would continue to be close throughout their lives. Higgins himself does not appear to want to marry Eliza. Towards the end of the original play, he sees the future as “You and I and Pickering will be three old bachelors together instead of only two men and a silly girl.”
The ending of the stage version of My Fair Lady comes from the 1938 film version of Pygmalion, starring Leslie Howard and Wendy Hiller; This ending was faithfully retained in the film version.
Cast
Production
Order of musical numbers
The order of the songs in the show was followed faithfully, except for “With a Little Bit of Luck”. The song is listed as being the third musical number in the play; in the film it is the fourth. Onstage, the song is split into two parts sung in two different scenes. Part of the song is sung by Doolittle and his cronies just after Eliza gives him part of her earnings, immediately before she makes the decision to go to Higgins’s house to ask for speech lessons. The second half of the song is sung by Doolittle just after he discovers that Eliza is now living with Higgins. In the film, the entire song is sung in one scene that takes place just after Higgins has sung “I’m an Ordinary Man”. However, the song does have a dialogue scene (Doolittle’s conversation with Eliza’s landlady) between verses.
The instrumental “Busker Sequence”, which opens the play immediately after the Overture, is the only musical number from the play omitted in the film version. However, there are several measures from this piece that can be heard as we see Eliza in the rain, making her way through the cars and carriages in Covent Garden.
All of the songs in the film were performed almost complete; however, there were some verse omissions, as there sometimes are in film versions of Broadway musicals. For example, in the song “With a Little Bit of Luck” the verse “He does not have a Tuppence in his pocket”, which was sung with a chorus, was omitted, due to space and its length. The original verse in “Show Me” was used instead. In the song “Get Me to the Church on Time” the verse that mentions “Drug me or jail me/ Stamp me or mail me” was omitted because the censors would not allow a verse referring to being drugged or jailed, and Alan Jay Lerner refused to have replacement lyrics for the song.
Dubbing
Hepburn’s singing was judged inadequate, and she was dubbed by Marni Nixon,[4] who sang all songs except “Just You Wait”, where Hepburn’s voice was left undubbed during the harsh-toned chorus of the song and Nixon sang the melodic bridge section. Some of Hepburn’s original vocal performances for the film were released in the 1990s, affording audiences an opportunity to judge whether the dubbing was necessary. Less well known is the dubbing of Jeremy Brett‘s songs (as Freddy) by Bill Shirley.[5]
Rex Harrison declined to pre-record his musical numbers for the film, explaining that he had never talked his way through the songs the same way twice and thus couldn’t convincingly lip-sync to a playback during filming (as musical stars had, according to Jack Warner, been doing for years. “We even dubbed Rin-Tin-Tin”[6]). To permit Harrison to recite his songs live during filming, the Warner Bros. Studio Sound Department, under the direction of George Groves, implanted a wireless microphone in Harrison’s neckties, marking the first known wireless microphone use in film history.[citation needed] André Previn then conducted the final version of the music to the voice recording.[citation needed] The sound department earned an Academy Award for its efforts.
Intermission
One of the few differences in structure between the stage version and the film is the placement of the intermission. In the stage play, the intermission comes after the scene at the Embassy Ball where Eliza is seen dancing with Karpathy. In the film, the intermission comes before the ball, as Eliza, Higgins and Pickering are seen departing for the embassy.
Art direction
The art direction was by Cecil Beaton, who won an Oscar. Beaton’s inspiration for the library in Henry Higgins’ home, where much of the action takes place, was a room at the Château de Groussay, Montfort-l’Amaury, in France, which had been decorated opulently by its owner Carlos de Beistegui.
Copyright issues
The head of CBS put up the money for the original Broadway production in exchange for the rights to the cast album (through Columbia Records). When Warner bought the film rights in February 1962 for the then-unprecedented sum of $5 million, it was agreed that the rights to the film would revert to CBS seven years after its release.[citation needed]
The first home video release was by MGM/CBS Home Video in 1981, and was re-released by CBS/Fox Video in 1984, 1986, 1991, and 1994.
Warner owned the film’s original copyright, but it was renewed by CBS due to the 1972 rights reversion. From 1998-2008, Warner owned the DVD rights to the film (under license from CBS), while CBS Television Distribution owns the television rights. This made My Fair Lady the only theatrical film whose ancillary rights are owned by CBS that was not distributed by CBS Home Entertainment.[citation needed]
A VHS release by Paramount Pictures in 2001 is currently out of print. However, Paramount obtained DVD rights in 2009 and re-released the film on DVD, on October 6, 2009.[7]
Musical numbers
- Act I
- “Overture”
- “Why Can’t the English?” – Higgins
- “Wouldn’t It Be Loverly?“
- “An Ordinary Man” – Higgins
- “With a Little Bit of Luck” – Alfred
- “Just You Wait” – Eliza
- “Servants Chorus” – Mrs. Pearce, Servants
- “The Rain in Spain” – Eliza, Higgins, Pickering
- “I Could Have Danced All Night” – Eliza, Mrs. Pearce, Maids
- “Ascot Gavotte” – Ensemble
- “Ascot Gavotte (Reprise)” – Ensemble
- “On the Street Where You Live” – Freddy
- “Intermission”
- Act II
- “Transylvanian March”
- “Embassy Waltz”
- “You Did It” – Higgins, Pickering, Mrs. Pearce, Servants
- “Just You Wait (Reprise)” – Eliza
- “On the Street Where You Live” (reprise) – Freddy
- “Show Me” – Eliza
- “Wouldn’t It Be Loverly” (reprise) – Eliza, Ensemble
- “Get Me to the Church on Time” – Alfred, Ensemble
- “A Hymn to Him (Why Can’t A Woman Be More Like a Man?)” – Higgins, Pickering
- “Without You” – Eliza
- “I’ve Grown Accustomed to Her Face” – Higgins
- “Finale”
- “Exit Music”
Soundtrack album as heard on the original LP
All tracks played by The Warner Bros. Studio Orchestra conducted by André Previn. Between brackets the singers.
- “Overture”
- “Why Can’t the English?” (Rex Harrison, Audrey Hepburn and/or Marni Nixon (for Audrey Hepburn), Wilfrid Hyde-White)
- “Wouldn’t It Be Loverly?” (Marni Nixon (for Audrey Hepburn))
- “I’m Just an Ordinary Man” (Rex Harrison)
- “With a Little Bit of Luck” (Stanley Holloway)
- “Just You Wait” (Audrey Hepburn, Marni Nixon (for Audrey Hepburn))
- “The Rain in Spain” (Rex Harrison, Audrey Hepburn, Marni Nixon (for Audrey Hepburn), Wilfrid Hyde-White)
- “I Could Have Danced All Night” (Marni Nixon (for Audrey Hepburn))
- “Ascot Gavotte”
- “On the Street Where You Live” (Bill Shirley (for Jeremy Brett))
- “You Did It” (Rex Harrison, Wilfrid Hyde-White)
- “Show Me” (Marni Nixon (for Audrey Hepburn), Bill Shirley (for Jeremy Brett))
- “Get Me to the Church on Time” (Stanley Holloway)
- “A Hymn to Him (Why Can’t a Woman Be More Like a Man?)” (Rex Harrison, Wilfrid Hyde-White)
- “Without You” (Marni Nixon (for Audrey Hepburn), Rex Harrison)
- “I’ve Grown Accustomed to Her Face” (Rex Harrison)
Previously unreleased on LP, included on the CD
- “The Flower Market”
- “Servants’ Chorus”
- “Ascot Gavotte (Reprise)”
- “Intermission”
- “The Transylvanian March”
- “The Embassy Waltz”
- “Just You Wait (Reprise)” (Audrey Hepburn and/or Marni Nixon (for Audrey Hepburn))
- “On the Street Where You Live (Reprise)” Bill Shirley (for Jeremy Brett)
- “The Flowermarket” (containing the reprise of “Wouldn’t It Be Loverly?”) (Marni Nixon for Audrey Hepburn)
- “End Titles”
- “Exit Music”
Awards and honors
Academy Awards record |
1. Best Actor, Rex Harrison |
2. Best Art Direction, Gene Allen, Cecil Beaton, George James Hopkins |
3. Best Cinematography, Harry Stradling Sr. |
4. Best Costume Design, Cecil Beaton |
5. Best Director, George Cukor |
6. Best Original Score, André Previn |
7. Best Picture, Jack Warner |
8. Best Sound, George Groves |
Golden Globe Awards record |
1. Best Motion Picture – Musical or Comedy |
2. Best Actor – Musical or Comedy, Rex Harrison |
3. Best Director, George Cukor |
BAFTA Awards record |
1. Best Film from any Source, George Cukor |
Academy Awards: 1964
My Fair Lady won eight Oscars:[1]
- Four nominations
Golden Globe Awards
My Fair Lady won three Golden Globes:
- Golden Globe Award for Best Motion Picture – Musical or Comedy
- Golden Globe Award for Best Director – Motion Picture – George Cukor
- Golden Globe Award for Best Actor – Motion Picture Musical or Comedy – Rex Harrison
BAFTA Awards
Others
American Film Institute recognition
- 1998 AFI’s 100 Years… 100 Movies #91
- 2002 AFI’s 100 Years… 100 Passions #12
- 2004 AFI’s 100 Years… 100 Songs:
- 2006 AFI’s 100 Years of Musicals #8
Restoration
The film was restored in 1994 by James C. Katz and Robert A. Harris, who had restored Spartacus three years earlier. The restoration was commissioned and financed by CBS, who purchased the film from Warner Bros. in 1971.[8]
Anna(Silvana Mangano)
Silvana Mangano
Silvana Mangano |
as Circe in the 1955 film Ulysses. |
Born |
21 April 1930(1930-04-21)
Rome, Italy |
Died |
16 December 1989(1989-12-16) (aged 59)
Madrid, Spain |
Years active |
1945–1987 |
Spouse |
Dino De Laurentiis
(1949–1989) |
Silvana Mangano (21 April 1930[1] – 16 December 1989)[2] was an Italian actress.
Raised in poverty during World War II, Mangano trained as a dancer and worked as a model before winning a “Miss Rome” beauty pageant in 1946[2]. This led to work in films; she achieved a notable success in Bitter Rice (1949) and continued working in films for almost four more decades.
The Bosnian singer Silvana Armenulić took her stage name from Mangano.
//
Early life
Born in Rome to an Italian father and an English mother (Ivy Webb from Croydon), Mangano lived in poverty caused by the Second World War. Trained for seven years as a dancer, she was supporting herself as a model.
In 1946, at age 16, Mangano won the “Miss Rome” beauty pageant and through this she obtained a role in a Mario Costa movie. One year later she became a contestant in the Miss Italia contest. Potential actress Lucia Bosé became “The Queen”, among Mangano and several other future stars of Italian cinema such as Gina Lollobrigida, Eleonora Rossi Drago and Gianna Maria Canale.
Film career
Mangano’s earliest connection with filmmaking occurred through her romantic relationship with actor Marcello Mastroianni. This led her to a movie contract, though it would take some time for Mangano to ascend to international stardom with her performance in Bitter Rice (Riso Amaro, Giuseppe De Santis, 1949). Thereafter, she signed a contract with Lux Film, in 1949, and later married Dino De Laurentiis, on the verge of becoming a known producer.[1]
Though she never scaled the heights of her contemporaries Sophia Loren and Gina Lollobrigida, Mangano remained a favorite star between the 1950s and 1970s, appearing in Anna (Alberto Lattuada, 1951), The Gold of Naples (L’oro di Napoli, Vittorio De Sica, 1954), Mambo (Robert Rossen, 1955), Theorem (Teorema, Pier Paolo Pasolini, 1968), Death in Venice (Morte a Venezia, Luchino Visconti, 1971), and The Scientific Cardplayer (1972).
Personal life
Married to Bitter Rice producer Dino De Laurentiis from 1949, the couple had four children: Veronica, Raffaella, Francesca, and Federico.[2] Veronica’s daughter Giada De Laurentiis is host of Everyday Italian on the Food Network. Raffaella coproduced with her father on Mangano’s penultimate film, Dune (David Lynch, 1984). Federico died in an airplane crash in 1981 in Alaska.[2] De Laurentiis and Mangano separated in 1983, and Mangano began divorce proceedings in 1988.[3]
Following surgery on 4 December 1989 that left her in a coma, Mangano died of lung cancer in Madrid, Spain, during the late night/early morning hours between 15 and 16 December 1989.[1]
Filmography
Although performed by Flo Sandon’s, Silvana Mangano was credited on the label of the recording of “El Negro Zumbon,” known as “Anna” in the U.S.A., which is from the soundtrack of the motion picture Anna (1951) and was a hit song in 1953.
Rock around The clock,Alan freed and his Rock and roll band, side one the great Pretender and side two Only you
Original Motion Picture Soundtrack
Rock Around the Clock (film)
Rock Around the Clock is the title of a 1956 musical motion picture that featured Bill Haley and His Comets along with Alan Freed, The Platters, Tony Martinez and His Band, and Freddie Bell and His Bellboys. It was produced by B-movie king Sam Katzman (who would produce several Elvis Presley films in the 1960s) and directed by Fred F. Sears.
The film was shot over a short period of time in January 1956 to capitalize on Haley’s success and the popularity of his multimillion-selling recording “Rock Around the Clock” that debuted in the 1955 teen flick Blackboard Jungle, and is considered the first major rock and roll musical film.
//
Plot
Rock Around the Clock told a highly fictionalized rendition of how rock and roll was discovered, but moviegoers didn’t care about the plotline; they wanted to hear the music. The film was blamed for inciting rowdy behavior in theaters across America and Great Britain, and was banned in some parts of the world. Queen Elizabeth II reportedly requested a special screening of the film; her reaction to it is not known.[citation needed]
Despite the movie being named after it, the song “Rock Around the Clock” – although heard three times during the picture – is never actually performed in its entirety on screen. At the end of the picture, the director decides to show the two dramatic leads having a conversation while Haley and the Comets are shown performing the song in the background, the music muted to allow dialogue. It has been suggested that the decision to have people talking over this climactic performance “Rock Around the Clock”, a song people came to the film to hear, might have been a contributing factor in reported theater violence.[original research?]
Cast
- Alan Freed as Himself
- Johnny Johnston as Steve Hollis
- Alix Talton as Corinne Talbot
- Lisa Gaye as Lisa Johns
- John Archer as Mike Dodd
- Henry Slate as Corny LaSalle
Featuring the musical talents of:
Songs performed in the movie
- “Rock Around the Clock” – Bill Haley and His Comets
- “See You Later Alligator” – Haley
- “Rock-a-Beatin’ Boogie” – Haley
- “A.B.C. Boogie” – Haley – first verse only
- “Cuero (Skins)” – Tony Martinez and His Band
- “Mambo Capri” – Martinez
- “Solo Y Triste (Sad And Lonely)” – Martinez
- “Razzle-Dazzle” – Haley
- “Teach You to Rock” – Freddie Bell and the Bellboys
- “Bacalao Con Papa (Codfish And Potatoes)” – Martinez
- “Only You (And You Alone)” – The Platters
- “R-O-C-K” – Haley
- “Happy Baby” – Haley – first verse and chorus only
- “Mambo Rock” – Haley – chorus only
- “Giddy Up A Ding Dong” – Bell
- “The Great Pretender” – Platters
- “Rudy’s Rock” – Haley
No soundtrack album was ever released for the film. The performance of “Rudy’s Rock” is the only Haley song performed live on camera and while an off-air recording taken from the film would be released in Germany in the 1990s (as part of the Hydra Records Haley compilation album, On Screen), a proper studio-quality recording from the set has yet to be released. The band also performs live on camera during a brief rehearsal prior to lip-synching to the Decca recording of “R-O-C-K”.
“Rock Around the Clock” is heard three times in the film – once over the opening credits, again in a brief rendition of the opening verse during a montage, and again at the end where only the last verse is heard.
A few months prior to shooting the film, the Comets had undergone a major change in personnel, with several members leaving the group. As a result, most of the songs lip-synched in the film actually feature a different line-up of musicians than those shown performing. The only songs on which all musicians shown on screen were also involved in the recording session are “See You Later Alligator” and “Rudy’s Rock”. During the performances of “Rock Around the Clock”, Franny Beecher is shown playing the guitar for Danny Cedrone, who had originally been on the recording session, and who had died 18 months earlier. Cedrone’s guitar work can also be heard on “ABC Boogie”, the opening bars of which are performed off-camera.
Impact
Rock Around the Clock was one of the major box office successes of 1956, and soon many more rock and roll musical films (notably the big-budget “A” picture The Girl Can’t Help It) would be produced and within a year, Elvis Presley (whose first film, 1956’s Love Me Tender, was a western, not a rock and roll movie) would soon appear in the most popular films of the genre, including Jailhouse Rock and King Creole.
Later in 1956, Bill Haley and His Comets headlined a loose sequel, Don’t Knock the Rock, also directed by Sears and produced by Katzman. Rushed into production in order to capitalize on the success of Rock Around the Clock, the sequel failed to duplicate the earlier film’s success.
In 1961, Katzman produced the similarly titled, Twist Around the Clock starring Chubby Checker, which was very similar in basic plot to Rock Around the Clock and is often referred to as a remake of the Haley picture.
Rock Around the Clock is also the title of a 1987 Canadian documentary.
Ten Thousand Bedroom,sung by Dean Martin.
Grease starring John Travolta-Olivia newton jones,the original soundtract from the motion picture.
Grease: The Original Soundtrack from the Motion Picture
Grease: The Original Soundtrack from the Motion Picture is the original motion picture soundtrack for the 1978 film Grease. The album’s most famous song “You’re the One That I Want” was a US and UK #1 for stars John Travolta and Olivia Newton-John.
//
Background
The album gives credit to the two stars of the film; John Travolta and Olivia Newton-John, although they only appear on seven of the 24 tracks. The remainder of the album is sung by various cast members and Sha Na Na – a group who performed many of the 1950s numbers in the film. The title track was recorded by Frankie Valli, who had no other connection with the film.
The most successful songs from the soundtrack were written specifically for the film. They included the Billboard number-one hits “You’re the One That I Want“, “Grease” and the number-three, Academy Award-nominated “Hopelessly Devoted to You“.[1] In the UK, the album proved even more successful where “You’re the One That I Want” reached No.1 for nine weeks, “Summer Nights” reached No.1 for seven weeks, while “Grease”, “Hopelessly Devoted to You” and “Sandy” all became top three hits.[2][3][4][5] The soundtrack album hit the top of the charts in the U.S. during the summer of 1978, replacing The Rolling Stones‘ Some Girls. In the UK, it remained at the top of the charts for 13 consecutive weeks.[6]
Two of the bass players who recorded on the Grease soundtrack were (at different times) members of Toto. One of these, David Hungate, also performed on Olivia Newton-John‘s album Totally Hot with Toto guitarist Steve Lukather. Other musicians here have previously worked with Elton John, Steely Dan, The Bee-Gees and others.
The album sold 28 million copies worldwide.[7]
Track listing
Side one
Side two
Side three
Side four
No. |
Title |
Writer(s) |
Vocals |
Length |
18. |
“Freddy, My Love” |
Jim Jacobs and Warren Casey |
Cindy Bullens |
4:37 |
19. |
“Rock n’ Roll Party Queen” |
Jim Jacobs and Warren Casey |
Louis St. Louis |
2:11 |
20. |
“There Are Worse Things I Could Do” |
Jim Jacobs and Warren Casey |
Stockard Channing |
2:22 |
21. |
“Look at Me, I’m Sandra Dee” (reprise) |
Jim Jacobs and Warren Casey |
Olivia Newton-John |
1:28 |
22. |
“We Go Together” |
Jim Jacobs and Warren Casey |
John Travolta and Oliva Newton-John |
3:00 |
23. |
“Love Is a Many Splendored Thing” (instrumental) |
Sammy Fain and Paul Francis Webster |
— |
1:23 |
24. |
“Grease” (reprise) |
Barry Gibb |
Frankie Valli |
4:37 |
FRAME THREE :
THE INTERNATIONAL COLLECTIONS FROM GOOGLE EXPLORATION
The Sun Comes Up (1949) [IMDb:
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Athena (1954)Girl Crazy (1943)Hit the Deck (1955)Meet Me in St. Louis (1944)Oklahoma! (1955)The Great Caruso (1951)The Merry Widow (1952) |
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… aka Uncle Andy Hardy (USA:promotional title)
Meet Me in St. Louis (1944) [IMDb: details/merchandise]
Oklahoma! (1955) [IMDb: details/merchandise]
Ten Thousand Bedrooms (1957) [IMDb: details/merchandise]
Cover |
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VHS
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Athena (1954)Back Street (1961)Challenge to Lassie (1949)Girl Crazy (1943)Gun Glory (1957)Hills of Home (1948)Hit the Deck (1955)Interrupted Melody (1955)Journey for Margaret (1942)Julia Misbehaves (1948)Love Crazy (1941)Love Finds Andy Hardy (1938)Love Laughs at Andy Hardy (1946)Meet Me in St. Louis (1944)Oklahoma! (1955)The Great Caruso (1951)The Merry Widow (1952)The Student Prince (1954)The Sun Comes Up (1949) |
DVD | VHS | Soundtracks
Athena (1954) [IMDb: details/merchandise]
Cover |
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Back Street (1961) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Challenge to Lassie (1949) [IMDb: details/merchandise]
Girl Crazy (1943) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Gun Glory (1957) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Hills of Home (1948) [IMDb: details/merchandise]
… aka Master of Lassie (UK)
Hit the Deck (1955) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Interrupted Melody (1955) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Journey for Margaret (1942) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Julia Misbehaves (1948) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Love Crazy (1941) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Love Finds Andy Hardy (1938) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Love Laughs at Andy Hardy (1946) [IMDb: details/merchandise]
… aka Uncle Andy Hardy (USA:promotional title)
Meet Me in St. Louis (1944) [IMDb: details/merchandise]
Oklahoma! (1955) [IMDb: details/merchandise]
The Great Caruso (1951) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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The Merry Widow (1952) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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The Student Prince (1954) [IMDb: details/merchandise]
Cover |
Products |
Shop |
|
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The Sun Comes Up (1949) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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Soundtracks
|
Athena (1954)Girl Crazy (1943)Hit the Deck (1955)Meet Me in St. Louis (1944)Oklahoma! (1955)The Great Caruso (1951)The Merry Widow (1952) |
DVD | VHS | Soundtracks
Athena (1954) [IMDb: details/merchandise]
Cover |
Products |
Shop |
|
|
|
Girl Crazy (1943) [IMDb: details/merchandise]
Cover |
Products |
Shop |
|
|
|
Hit the Deck (1955) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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|
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Meet Me in St. Louis (1944) [IMDb: details/merchandise]
Cover |
Products |
Shop |
|
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Oklahoma! (1955) [IMDb: details/merchandise]
The Great Caruso (1951) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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The Merry Widow (1952) [IMDb: details/merchandise]
Cover |
Products |
Shop |
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the end @ Copyright Dr Iwan suwandy 2011